
Customer Success Stories
See how Louper brings teams together, and makes collaboration fun again!

“Louper just unifies everybody. We're all looking at the same screen, listening to the same music. It made the workflow very quick, seamless and everyone's dialed in.”
Editor David Fisher

“Louper was fantastic on Halo Season 2. We used a plugin to convert the 7.1.4 Dolby Atmos into a binaural feed, which gets streamed over Louper. That was really successful.”
Halo re-recording mixer Matthew Chan

Victor Perez
VFX Supervisor
“Louper was key on Naples-New York. Part of the collaborative process of moviemaking is looking at the same image and listening to one another. That’s the difference between Louper and other software, it’s like: ‘let's do this together!’”
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Alyssa Loh
Write & Director - Copy Save
“Louper made it possible for us to fine-tune the mix from opposite sides of the U.S. Louper gives far more control over playback, and allows you to achieve much better sound and image sync than conventional screen-sharing platforms.”
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Lucas Harger
Founder & Editor at Bruton Stroube Outpost
“We love Louper. The differentiator between Evercast and Louper is that Evercast was clunky, just to be able to hit stream was a headache. Louper was way smoother and cleaner from the editor or colorist seat, and it was a better client experience.”
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“We use Louper for every mix playback. Notes can be addressed instantly, creative conversations happen naturally, and decisions can be made in a single session.”
Re-recording mixer Joe Morrow

“Louper was a really important part of the collaboration process during color correction, especially considering the distance, and the level of precision we needed for the film.”
DP Alejo Maglio on Summer War

Matt Chan
Re-recording Mixer at Picture Shop Toronto
“Louper was fantastic. We used a plugin to convert the Dolby Atmos into a binaural feed, which gets streamed over Louper. We’d sent all the producers the same set of headphones, so they’re all listening to the same thing. That was really successful.”
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Evan Schiff
Editor - Frankenstein
“We had 3 days of remote editing on Louper when Guillermo and I were in Toronto and Alfonso Cuarón was in Paris. We had an ongoing conversation as we played through the reels. Together, we cut 5 minutes out. It was really fun and creative.”
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Jeffrey Chance
Colorist
“Louper has that edge: in a live session you can give the agency final confirmation that these colors are accurate. Once the agency folk are happy, they keep coming back. They know they can trust me with a project.”
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“We used Louper to do final tweaks, watch sequences and just finesse the cutting. It allowed us to connect and feel pretty much as if we were in the same room together.”
Un Poeta editor Ricardo Saraiva

“Louper was key on ‘Naples-New York’. The collaborative process of moviemaking requires looking at the same image and listening to one another.”
VFX Supervisor Victor Perez

Sam Coombes
Director of Photography
“To all be on the same page, review instantaneously, make notes - it saved us a lot of time. We couldn’t have achieved the look and delivered it on time without Louper. It was absolutely integral to our post-production workflow.“
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Joe Morrow
Re-recording mixer - The Testaments
“With a team spread across so many locations, Louper has been vital in keeping everyone connected and creatively involved in the mixing process. Playing back mix updates immediately while discussing them in real time makes the workflow far more efficient for everyone involved.”
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Matt Osborne
Editor
“You have to do it in real time. Just work on Louper for 30 minutes and then you can move on, rather than wasting hours or days going back and forth with notes, doing different versions. It’s a seamless experience for everyone.”
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“The director really enjoyed working on Louper, and we were able to pack a lot in because we weren’t driving an hour in traffic to get to the edit bay. I’m a big fan of the platform!”
Nimrods editor Ryan Brown

“It’s super helpful to jump into a Louper Room and talk through the cut with fresh eyes. You can find the solution through conversation, versus trying to interpret notes.”
Jean Jacket editor Jack Hessler

David Fisher
Editor
"Louper solidifies communication because we're all listening to and watching the same thing and it can't get misinterpreted by a written note. You can try something while everyone's in the Room. And then you can get sign off on that specific note in real time and then move on."
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Ricardo Saraiva
Editor - Un Poeta
“Louper is a godsend because I'm based in London but I tend to work with directors that are not UK-based. Louper allows me to edit remotely, it just opens up possibilities to explore because we don’t have to be tied to a specific schedule and a specific way of working anymore.”
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James Galbraith
Colorist
“Louper is the cornerstone of my workflow. I'm able to collaborate with directors, DP’s, producers, from across the globe. It’s so easy to just dial in the look all together.”
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“With Louper, I can talk through feedback and respond to it immediately. Live sessions are really useful for taking out that guesswork. It just makes the experience seamless.“
Editor Jake Benjamin
“I love working with director Alyssa Loh. I’m in LA and she's based in New York, so Louper’s tools help me keep these relationships going.”
Sound Designer Dennis Dembeck

Ryan Brown
Editor - Nimrods
“Louper was fantastic, the director really enjoyed working remotely. As far as productivity goes, we were able to pack a lot in because we weren’t driving an hour in traffic to get to the edit bay. I’m a big fan of the platform!”
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Jack Hessler
Editor
“Once we’ve finished for a day, we'll upload a cut to Louper. It’s super helpful to jump into a room the next morning and talk through the cut with fresh eyes. You can find the solution through conversation, versus trying to interpret notes.”
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Gonçalo Almeida
Director - Atom and Void
“Louper saved me a lot of time traveling. If you’re in a big city, meeting every day, you waste hours commuting. I don't have that time, the editors don't have that time. So for me, it's been magical.”
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“Louper is an important part of our workflow at Bruton Stroube Outpost. It’s such an easy tool to use. We take advantage of it whenever we can.”
Colorist Clark Griffiths

“Louper allows us to be in the same room together. It reduces what would have taken us a week to do, down to a few hours, because we can adjust timing or color and I can play it back.”
Director/ DP/ Colorist Tim Snider











