Customers
Meet some of our users, see the projects they’re working on, and hear how they use Louper to get their work done faster and better than before.
Jack Hessler | Editor
On hosting remote edit sessions for short film, ‘Jean Jacket’
Gonçalo Almeida | Director
On his collaboration with editor Ricardo Saravia for ‘Atom & Void’
“Louper allows us to be in the same room together. It reduces what would have taken us a week to do, down to a few hours, because we can adjust timing, adjust color and I can play it back.”
“I look forward to my sessions on Louper. We often jump on an hour before, just to catch up. As much as it is a tool for post-production, and even pre-production, it’s also a social platform.”
“Once we’ve finished for a day, we‘ll upload a cut to Louper. It’s super helpful to step away for the night, jump into a room the next morning and talk through the cut with fresh eyes. You can find the solution through conversation, versus trying to interpret notes.”
Ricardo Saraiva | Editor
On his collaboration with director Simón Mesa Soto for ‘Un Poeta’
James Galbraith | Colorist
On his creative connection with DP Sam Coombes
“I chose Louper because I needed a solution where clients could join with just a click. They don’t want to create an account, they don’t want to download an app. It paid for itself immediately, just in the first job. It was a no-brainer.”
“With other platforms we‘ve tried, like Zoom or Evercast, the meeting becomes kind of clunky. With Louper, it‘s just so available that everybody feels natural about it. That's the best Louper feature. It's transparent.”
“Louper has that edge: in a live session you can give the agency final confirmation that these colors are accurate. Once the agency folk are happy, they keep coming back. They know they can trust me with a project.”
Jeffrey Chance | Colorist
On building creative connection through live color reviews
Winford Collings | Director
On live edit reviews with Louper for feature film, ‘Adam’
“Louper has been a godsend because I‘m based in London but I work with directors around the world. Having the opportunity to edit remotely using Louper, really opens possibilities to explore. We don‘t have to be so tied to a specific schedule and a specific way of working any more.”
“To all be on the same page, review instantaneously, make notes - it saved us a lot of time. I don‘t see how we could have achieved the look and delivered it to the client on time without Louper. It was absolutely integral to our post-production workflow.”
“I like to do live approvals on Louper. We can get to the nitty-gritty quickly, identifying and resolving any misunderstandings. Live sessions are really, really useful for taking out that guesswork.”
Seth Buncher | Colorist
On remote workflows for unscripted series
Victor Perez | VFX Artist
On the benefits of livestreaming VFX reviews
“Easy to set up and so much better than Evercast!”
“Clients really like Louper‘s interactive options for Color Grading sessions. It really streamlines our creative process. A very well thought out tool!”
“When I use Louper, it‘s a quality experience. You sign up, you send your signal, it just works. And it‘s easy for the client to get on board as well. They just join the room.”
Leon Hynes | Colorist
On accessible remote color grading
ColorNation | Colorists
On offering global access to world-class colorists through Louper
“Managing a stream is easy and intuitive. Having access to the video stream metadata and signal strength is great - it ensures everything is running smoothly for me and my client.”
“Louper allows us to provide an in-person experience while working from remote locations. We love the high-quality user interface, frame accurate playback and in-room collaboration tools.”
“Louper is completely brilliant, we ran a session and everyone had their minds blown. The director couldn‘t stop singing praise for it and he‘s worked with a lot of other remote systems before. Really, really chuffed with it.”
