See how agencies, brands, post houses and production companies use Louper to get work done faster and better than before.

ColorNation Streamlines Remote Color Grading Experience With Louper

When post-production went fully remote, media & entertainment industry veteran Reid Brody saw an opportunity to build a new business, combining his vast experience in film and television with a proven ability to curate post-production talent.

"Clients really like Louper's interactive options for Color Grading sessions. It really streamlines our creative process. A very well thought out tool!"
Dario Bigi
Colorist (US)
"Louper is completely brilliant, we ran a session and everyone had their minds blown, the director couldn’t stop singing praise for it and he’s worked with a lot of other remote systems before. Really, really chuffed with it."
Jack Lang
Head of Post Production, Mallinson Television Productions (UK)
"Easy to set up and so much better than Evercast!"
Heather Hay
Colorist (US / Mexico)

Louper Powers Remote Collaboration Between Doran Visual and Luxury Fashion Brands

Doran Visual is a post house based in Brooklyn, New York that edits and grades commercial content and documentaries for clients such as Gucci, Dior, Vogue, Saint Laurent and more.

Jake B - Your Friendly Remote Video Editor

Take one look at video editor Jake Benjamin’s website and it's clear you are in the presence of a creative individual with a great sense of humor. Based in Brooklyn, New York, Jake specializes in dynamic short form editing, working on commercials, advertising and promos.

Editor Jack Brown eliminates the need for multiple reviews with Louper

“Working in real-time is a real priority. In fact, it's an essential part of the creative process. I love discussing ideas and trying out new cuts to see what works with immediate results rather than having to wait through multiple reviews for feedback.”

Crafting Reality: Colorist Seth Buncher Turns to Louper for Documentary & Unscripted Post-Production

“My clients are worldwide but I am on the side of a mountain, miles from civilization, which means they’re not near me. One attraction with Louper is that my collaborators don’t need any special credentials or anything. I give them a link and we’re off!”

"Louper is great! So impressive how much better of an experience it has been over Zoom for remote editing."
Jack Williams
Editor, The Assembly Rooms (UK)
"Louper is the most like being in a physical room with an editor, working together. And it’s super stable."
Kyle Kramb
Editor, Nine Mile Cirlce (US)
"This is exactly what I was looking for! Thank you for your awesome tool."
Knut Hake
Editor, Blood Red Sky, Isi & Ossi, Blood and Gold & more (Germany)

Lasher Post Keeps Work Flowing in Utah and Beyond with Louper

"If I want to go snowboarding in Steamboat for a week, I can do that and still livestream edit sessions to my clients. How cool is that?"

"The image and sound quality is incredible and fundamental to working effectively both internally as a team and externally with clients"
Duvan Durand
Editor, Lasher Post (US))
"Louper enables assistant editors to learn the craft of editing and gain the skills required to run an edit session with a director. You just cannot do that with emails or written notes."
Prakash Patel
Feature Film Editor (UK)
"Louper helps me maintain very personal relationships with directors and producers, helping to steer the direction of a project and ensuring we’re achieving a shared creative vision."
Danny Doran
Editor, Doran Visual (US)

Prakash Patel Edits Feature Films With the Help of Louper

UK-based editor Prakash Patel edits animation feature films for studios such as Aardman, Paramount, Sony, Universal and more. Learn how he's integrated Louper into his daily workflow.

Save time. Reduce costs. Create without compromise.

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